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 Story
 Saradamba (Jayalalitha) is a beautiful wife of a landlord 
                          Narayana Swamy (Tanikella Bharani) in a village. She 
                          is a kind woman who is well known for her charitable 
                          work. Kanakayya (Tallavajjula Mehaneesh) is a bright 
                          student from a poor family and he gets a free lunch 
                          (vaaraalabbai) at Saradamba's house. Saradamba is very 
                          fond of Kanakayya.
 One 
                          fine day, Kanakayya falls ill. The medicine offered 
                          by the regular doctor is of no use. Parents of Kanakayya 
                          call in Kalimata's devotee and medicine practitioner 
                          Gopayya (Tallavajjula Sundaram) from neighboring village 
                          for an advice. After the check-up, Gopayya declares 
                          that Kanakayya is suffering from Doshagunam. 
                          According to him, Doshagunam is caused when a boy has 
                          sexual intercourse with a middle-aged woman. Gopayya 
                          advices Kanakayya's parents that the only panacea for 
                          Doshagunam is a concoction prepared with the 
                          blood extracted from the thigh of woman who had sex 
                          with Kanakayya. That night Kanakayya utters the name 
                          of Saradamba repeatedly in the sleep and it turns the 
                          needle of suspicion towards Saradamba. Did 
                          Saradamba seduce Kanakayya? Would she give blood for 
                          Kanakayya's medicine? Is Doshagunam really a 
                          scientifically proven ailment or a myth? To know the 
                          answers, you must watch this film on the big screen. Artists 
                          Performance  
                          Jaya Lalitha: Jayalalitha is the protagonist 
                          of the film. It's rather a risky decision to cast an 
                          actress who is known as a vamp girl in an art film as 
                          the leading lady. She is perfectly apt for the role 
                          and she performed very well. However, there is a bit 
                          of artificiality in her dubbing. And casting her helped 
                          the director in putting the audiences in two minds about 
                          the character of Saradamba about whether she has actually 
                          indulged in sex with the boy or not. Others: 
                          Tanikella Bharani is perfect for the role of Narayana 
                          Swamy that has different shades. Tallavajjula Mehaneesh 
                          is pretty confident in a vital role. This film opens 
                          on Surya. He did extremely well as the doctor who narrates 
                          the flashback. The other actors in the film are fresh 
                          faces and all of them did their bit well. Technical 
                          Departments: Story: 
                          The total credit of this film solely goes to GV 
                          Chalam - who is known as the most controversial and 
                          sensational Telugu writer we have ever seen. This film 
                          is inspired by his story 'Doshagunam'. Chalam is said 
                          to have written this story after being inspired by a 
                          true story. This story also has a big moral value attached 
                          to the society that is filled with lots of men who don't 
                          trust their loyal wives even after staying together 
                          for decades.
 
 Screenplay 
                          - direction:  The debutant director Indraganti Mohana 
                          Krishna - son of Indraganti Srikanth Sharma - turned 
                          out to be a decent technician with his plain and pleasant 
                          presentation of Chalam's work on the screen. The entire 
                          movie is shown in black and white except for a couple 
                          of fond memories (as dreams). Probably the director 
                          might have felt the dreams to be colorful and the reality 
                          to be in black and white. The screenplay of the film 
                          is good and narration is slow. Other 
                          departments: Music by K Vijay complements the mood 
                          of the film well. Dialogues are appropriate. Photography 
                          by PG Vinda is good. He did not have to bother about 
                          color combinations as the film is presented in black 
                          and white. Artwork by Bhupati is fair. Editing by Lokesh 
                          is OK. The producers need to be patted on their back 
                          for producing the greatest work of Chalam without seeking 
                          monetary returns/gains. Analysis: 
                          This film is a one and half an hour duration film made 
                          with a digital camera on a shoestring budget of approximately 
                          Rs. 8 lakhs (It is learnt that artists and technicians 
                          worked without taking any remuneration). This film is 
                          an out and out art film aimed at international film 
                          festivals. This film was already sent to Toronto Film 
                          festival. The present generation does not have time/patience 
                          to read literature. It is a great effort on the part 
                          of makers to produce Chalam story on a big screen. By 
                          looking at this film, the present generation youth would 
                          get the opportunity of realizing the revolutionary thought 
                          process of Chalam. It is a pretty decent film. And a 
                          must watch for all art film aficionados. |