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Story
Sai Ram (Thriller Manju) is an auto driver with spirited personality.
His goal in life is to serve the nation in the capacity of
police officer. Janardhan (JP) is an ex-MLA and he creates
terror in the city with his criminal acts. Pratap (Sai Kumar)
joins in a house in the colony of Sai Ram. Pratap is a calm-going
guy with a beautiful wife (Nilambari) and a kid. He never
gets angry, even when the goons tried to molest her in the
public. The police department could not handle the menace
of goons and are in search for the appropriate officer who
can put an end to the mess being created by the villains.
They track the records and find that there used to be one
brilliant police officer by name Tiger Pratap, who created
terror during his tenure, but resigned due to some personal
problems. There is another retired Kargil hero in the town
whose name is Subhash (Murali Mohan). The police approach
Subhash to convince Pratap to join police force again. When
Subhash and Sai Ram accuse Pratap of sacrificing the nation's
interest for the sake of his family safety, wife of Pratap
starts telling the flash back.
<Begin
Flash back >
Pratap
is a sincere ACP in the city. He puts Satya (Satya Prakash)
behind the bars. Satya is the backbone of the ex-MLA Janardhan,
who creates the terror in the city. But the villains and his
own bosses victimize Pratap to get rid of him. Hence, Pratap
takes a decision to resign.
<End
Flash back >
Will
Pratap join the police force and put an end to the villains
or not. If you are curious, you must watch it on the big screen
to know the climax.
Performances:
Artists:
Sai
Kumar: Sai Kumar underplayed his character in the second
half. In second half he is at his usual best by blasting with
powerful dialogues.
Nilambari:
Like 'Bachi', she did journalist role in this film too. But
this character is of serious journalism and she played the
wife's role where there is more maturity in her histrionics.
Satya
Prakash: Satya Prakash is a revelation in this film. His
did a controlled eccentric performance in this film. He got
the more appreciation from the crowds compared to the heroes
of the film. In he can get these kinds of roles in the future
films; he can become a major threat to Prakash Raj.
Technical
Departments:
Screenplay
& direction: The direction of this film is decent
compared to the storyline chosen by the fighter turned director
Vicky. Though he has chosen the routine story with a powerful
flashback, he made sure that the narration is gripping. The
frontbenchers are silent in the beginning. As the movie progressed,
the applause from the audience increased with the tempo of
the film.
Dialogues:
Dialogues in this film are pretty lengthy, but good. Some
of the dialogues, especially the political and patriotic ones
are well written. But the timing of these dialogues is not
good. Hence the dialogues that looked powerful on paper could
not be converted into good ones on the screen.
Music:
There are no songs in this film, which made the narration
more interesting. Vandemataram has given good backdrop music
for this film.
Fights:
The fights in this film are not really new, though the director
himself is a fight master who has good experience. A couple
of fights (Fire fight and chase fight by Thriller Manju) are
good.
Analysis:
This film may not be a great film. But, it is going to cater
to the needs of its target audiences. This film dishes out
more than what you expect from a Sai Kumar's police oriented
film. Watch without any expectations. You will not get disappointed.
A good try by the debutant director Vicky. It will definitely
finds a place in all B and C centers.
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