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                    Story 
                     
                    Ravi (Uday Kiran) is the son of multimillionaire in Hyderabad. 
                    Vasundhara (Anita) is the daughter of a milk supplier cum 
                    rowdy. Ravi and Vasundhara do study in the same college. The 
                    film starts with Vasudhara showing hatred towards Ravi, as 
                    he is a sportsman who is a zero at studies. Over a period 
                    of time her hatred turns into love. Finally, they are in love. 
                    The parents did not agree to their marriage. The parents plan 
                    to avoid the marriage by putting the love couple a clause 
                    that they should not meet each other for one year. If their 
                    love stays even after a gap of one year, the parents would 
                    marry them off. 
                  Father 
                    of Ravi kidnaps him and puts under house arrest in Mumbai. 
                    Father of Vasundhara takes her to his hometown and arranges 
                    a forced marriage. The rest of the story is about how the 
                    love pair unites against all odds. 
                  Performances: 
                  Artists: 
                  Uday 
                    Kiran: There is more scope in this film to exhibit his 
                    histrionics. He did justice to his role. He developed lot 
                    of muscles for this film and they show up in the initial scenes. 
                    The biggest drawback of his character is the dubbing. His 
                    voice is a typical Hyderabad born and brought up (non)Telugu 
                    guy accent. The voice sounds quite embarrassing for the regular 
                    moviegoers. 
                  Anita: 
                    Anita looks the girl next door. But her hairstyle is the minus 
                    point. She has a big forehead. She covered it by maintaining 
                    a hairstyle that cover's her forehead. She is decent at her 
                    performance. 
                  Shakuntala: 
                    She played the Telangana Phoolan Devi kind of role. The dialogues 
                    given to her are very raw and she essayed her role with perfection. 
                     
                  Technical 
                    Departments: 
                  Story: 
                    You would come across a plethora of Hindi love stories when 
                    you watch this film. The Bollywood love blockbusters like 
                    Bobby, Ram Teri Ganga Maili, QSQT and Maine Pray 
                    Kiya heavily inspired this film. The treatment of love 
                    stories in Hindi field changed with the advent if HAHK and 
                    DDLJ, where the lovers wish to get the parents approval to 
                    get married. Thankfully, the story of this film is about the 
                    couple eloping. Hence, the director could not lend the modern-era 
                    Hindi love stories. This story is also remotely close to the 
                    story of NTR's debut vehicle 'Ninnu 
                    Choodalani'. 
                  Screenplay 
                    & direction: The screenplay and direction of this 
                    film is very technical. You can see the touch of Ram Gopal 
                    Varma in this aspect. But, he failed to establish the characters 
                    of Ravi and Vasudhara in this film. He has done a wonderful 
                    job in establishing the lead the pair in 'Chitram' 
                    film. The way the hatred starts and how the lead pair falls 
                    in love is also very unconvincing. This film is a prime example 
                    of what happens when you concentrate more on technique and 
                    less on narration. 
                  Music: 
                    The highlight of this film is the music and background score. 
                    This is the best music done by RP Patnaik so far. You can 
                    see the Varma's touch (Hindi film Satya) again in the 
                    scoring backdrop music.  
                     
                    Photography: 
                    Another remarkable aspect of this film is camera work. It's 
                    simply superb. Rasool has done an extraordinary work for this 
                    film. 
                  Production: 
                    Kiran, the supreme of Gemini (Telugu) TV, has produced this 
                    film on Anandi Arts. The production of this film is done on 
                    high budget with rich taste for visual and aural appeal. With 
                    a powerful media in the form of Gemini TV at his disposal, 
                    the producer will leave no stones turned to promote the film. 
                  Analysis: 
                    The strength of this film is songs, DTS mixing and photography. 
                    The comedy is also dealt well. The weakling of the film is 
                    story and narration. First half of the film is entertaining. 
                    The second half is dragged to no end and makes you feel bored. 
                    A simple story can be told in a simple manner. But the director 
                    used every possible technique to insert the twists and unwanted 
                    violence in this film. This film reminds me of Ram Gopal Varma 
                    'Prema Katha', which has 'all sound & violence 
                    - no substance'. This film would gel well with the school 
                    going kids and intermediate studying youth. It might sound 
                    amateurish for the people who crossed 16, as the concept of 
                    love in this film is totally outdated. We have to wait and 
                    see how the Telugu movie lovers welcome this film. 
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