The late NTR senior continues to be an inspiration for filmmakers
who venture to do films with the junior. Dialogue writers
Paruchuri Brothers, who had scripted many films for late NTR,
seem to revel at their present involvement with NTR Jr. Director
B Gopal also does his bit in creating song situation for the
hero and heroine, Aarti, to recall the magic of NTR - Sridevi.
Rayalaseema continues to be the source of inspiration for
the action movies.
Sivaramakrishna
(NTR) and Mythili (Aarti Agrawal) are relatives but get separated
in their childhood after they playfully get married. Though
Mythili's parents write it off as a prank, Ramu's grandfather
(K Viswanath) takes it seriously and keeps the thread with
him, hoping that the children will grow up and marry one day.
Mythili's
mother, Chamundeswari, is an industrialist, and wants her
daughter to get married to the son of a State minister (Vizag
Prasad) so that she can get the help and contracts to develop
her own enterprise.
Ramu
enters Chamundeswari's house as a domestic help and then workds
his way up to win the confidence of Chamundeswari, who is
none other than his later father's sister.
He
also wins the heart of Mythili. There is another relative
of Ramu, Rukhmini (Gajala), who is in love with him. The drama
around two girls is worth watching. NTR has put up a matured
performance. His dialogue delivery is perfect with good punctuation
and diction. The boy has converted that little bit of hoarseness
in his voice into advantage, to roar at his enemies.
Gajala
and Aarti get routine roles with Aarti's being a shade better.
It is too early for Nagma to play the role of a mother-in-law,
the kind of roles that Vanisri and Sharada played in the later
part of their career.
Naresh
playing her henpecked-husband does not look comfortable at
all. Paruchuri Brothers display, once again, their skills
in presenting old win in a new bottle and make it look refreshing.
Music makes no impact at all in the film.
courtesy:
The Hindu
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