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Director
Vamsi has a typical style that combines humor with an artistic
touch and romanticism. He is strong in presenting the nativity
of Godavari districts. Song picturization is his specially.
All these elements come out in this film, which he had made
after a long gap.
Anil
Kumar (Raviteja) and Swathi (Kalyani) behave like strangers
almost till the end.
He plays
a postgraduate but comes to work as night watchman for a company,
while she works in a computer software company. Therefore
a house owner (Jeeva) rents a portion of on the first floor
to both. His logic is that Swathi is out in the daytime, when
Anil stays in his room and Anil is out in the nights, when
Swathi returns. The locality resembles that of any semi urban
area, full of queer characters. It is now for the director
to keep the two Anil and Swathi separate for almost three-fourth
of the film. Even when the two face each other outside, they
behave like strangers. Anil accidentally breaks an antique
piece of porcelain belonging to Swathi one day and duly apologises
to her through a letter. On reading this, Swathi gets impressed
and responds by replying. Swathi knows him as Kumar and hence
fails to realize that he is the same young man who's sharing
her room, when he's introduced to her as Anil. Meanwhile,
a rich young man Ananth, son of an industrialist (Kota Srinivasa
Rao), sees her one-day and decides to marry. He sends his
father (Kota Srinivasa Rao) to meet Swathi's father (Surya),
who in turn asks Swathi to accept the proposal, as it would
solve their financial problems. A helpless Swathi seeks the
advice of her friend Kumar; still not knowing he is Anil.
And he advices her to marry the other man, Does she marry
him? Does she come to know who Kumar is? Watch it on silver
screen.
Kalyani
is promising. Ravi Teja has still to improve clarity in his
diction. All the songs are situational and well presented
with an artistic touch.
courtesy:
The Hindu
Other
Links:
Jeevi Review
Audio review
Juke Box
Mega Posters
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