Kamal Hasan and Madhavan, the good actors that they are, play
good human beings to perfection in this 'psychological play'.
Director Sunder makes this more into a performance-oriented
film with Kamal Hasan leading the cast and Madhavan with Kiran
Rathod and Uma teaming up quite well.
Kamal Hasan plays Sadasivam, a trade union leader, enjoying
the confidence of the unionists. Therefore there are communist
flags and pictures of Carl Marx and Lenin adorning office
walls. He fights with management for some monetary benefits,
and hence considered a headache by his boss (Nasser).
But then the affairs in the office take funny turn, which
is the highlight of the film. Sadasivam is also a talented
artist and is assigned the job of doing a painting for one
of the office walls. He has for company in the office walls.
He has for company in the office the proprietor's daughter
Bala (Kiran) who admires Sadasivam, and yet another employee
in the office Uma (Uma Riaz) having a soft corner for him
as well.
An accident changes the life (read looks) of Sadasivam. Fantastic
make-up transforms Kamal into a walking-stick wielding and
bespectacled personality. He meets Satyam (Madhavan) who's
returning from abroad. They bond with some highly philosophic
beliefs and common thoughts.
But destiny has it that Satyam happens to be the guy to marry
Bala. Bala's father asks Sadasivam to in the end.
It is one of the landmark films for Kamal Hasan, and will
be remembered for sometime. Even for Madhavan, this is totally
a different film and he makes his presence felt despite limited
length of the role. Disappear from the scene, as he had told
his daughter that he was dead. Sadasivam bargains for employee
benefits for hiss sacrifice, and walks away towards the sun
set
The two make a fine combination of pals each with different
mental make up, but goodness overflowing. It is a film worth
watching even to discover yet another style of cinematography
art. Music by Vidyasagar is quite laudable.
courtesy:
The Hindu
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