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                Time fleets and so is the case with a plethora of movies that 
                release every week. Of the fifty odd movies released so far in 
                the present year in Tollywood, there has been only one sensational 
                hit, four super hits (counting the success of Hanuman 
                Junction into 2002), one hit and a few safe bets. Statistically 
                speaking, the hit percentage so far has been 10%, which is neither 
                worse nor better than what it was in the first half of last year. 
                If just being consistent (and not competent) is a consolation 
                then Tollywood indeed did better. At least, it did not deteriorate 
                from last year's performance if not improve and prove that it 
                could do better. But don't we all agree at least on one point 
                that our moviemakers could do much better than what they think 
                they can. 
              Now, 
                what our moviemakers think is another debatable issue. If they 
                thought that roping in sought after heroes and heroines and one-hit 
                old directors to deliver instant hits then they were proved wrong 
                with the dismal failures of Vasu, 
                Seema Simham. 
                If they thought that packaging a movie with technical gloss, daredevil 
                stunts and breathtaking locales, catering to the eyes and not 
                the hearts of the audience thereby shunning the soul of the movie, 
                then they better think again after what happened to Takkari 
                Donga. If they thought that remaking successful movies from 
                ever reliable languages without bothering whether they suited 
                our nativity or if they were being well made without tampering 
                the originals, then they better learn lessons from the poor performances 
                of Seshu and Tappu 
                Chesi Pappu Koodu. Lastly, if they thought that they could 
                cash on the 'youth frenzy' by casting wooden faces in crappy college 
                themes then
 well examples in this category are endless and 
                before they make us listless, lets run through the hits, safe 
                bets and duds in the first half of 2002. 
              Sensational 
                hit 
                 
                  Aadi 
                (review) 
                Cast: NTR, Keerthi Chawla 
                Music: Mani Sharma  
                Producer: P Naga Lakshmi 
                Story - Screenplay - Direction: VV Vinayak 
                Theatrical Release Date: 28th March 2002 
                 
                Jr. NTR who has tasted alternating successes and failures like 
                Tarun with Ninnu 
                Choodalani, Student 
                No. 1, Subbu 
                and Aadi, has gained 
                enormous mass following with the sensational hit of Aadi. The 
                manner in which VV Vinayak has projected Jr. NTR as a mass hero 
                is unbelievable. With the success of Aadi, 
                Jr. NTR has certainly gained an edge over his contemporaries like 
                Tarun and Uday Kiran. VV Vinayak's amazing direction, Spell binding 
                action sequences (by Vikram Dharma), Jr. NTR himself and Paruchuri 
                Brothers' dialogues (to some extent) have lifted Aadi 
                from a routine seema movie to a riveting hit. Aadi is the biggest 
                hit so far in 2002. 
                Persons most benefited by the success of Aadi: Jr. NTR 
                and VV Vinayak 
                 
              Super 
                hits (listed based on their release dates) 
                 
                 Hanuman 
                Junction (review) 
                Cast: Jagapati Babu, Venu, Arjun, Laya, Sneha, Vijaya Lakshmi 
                Dialogues: Thotapalli Madhu 
                Music: Suresh Peters 
                Producer: MV Lakshmi 
                Screenplay - Direction: M Raja  
                Theatrical Release Date: 21st December 2001 
                 
                Though Hanuman 
                Junction released in the final week of 2001, its success saga 
                flagged off in 2002. Though a remake of a Malayalam hit Thenkasipattanam, 
                M Raja adapted it well to suit the Telugu nativity and filled 
                it with ample doses of comedy and mass elements which made the 
                audience visit this Junction so frequently that it turned out 
                to be one of the super hits of 2001/2002. The success of this 
                movie has added another feather to Editor Mohan's (the presenter 
                of this movie and father of M. Raja) cap whose last movie Kshemanga 
                Velli Labhanga Randi was a super hit as well. 
                Person(s) most benefited by the success of Hanuman Junction: 
                Editor Mohan 
                 
               Nuvvu 
                Leka Nenu Lenu (NLNL) (review) 
                Cast: Tarun, Arti Agrawal 
                Music: RP Patnaik  
                Producer: D Suresh Babu 
                Story - Screenplay - Direction - Dialogues: Y Kasi Viswanath 
                Theatrical Release Date: 14th January 2002 
                 
                Released during the festive mood of Sankranthi, NLNL 
                had to face tough competition from Balakrishna's Seema 
                Simham and Mahesh Babu's Takkari 
                Donga. But it easily emerged a winner among the Sankranthi 
                releases mainly due to good music (by RP), rib-tickling comedy 
                (by Sunil), Arti Agarwal's oomph and wonderful treatment by director 
                Kasi Viswanath. Though it looked like an extension to Nuvve 
                Kavali and Nuvvu 
                Naaku Nachhav, the audience did not mind sipping old wine 
                in a new bottle than being bothered by ferocious lions and cowboy 
                thieves. 
                Persons most benefited by the success of NLNL: Arti Agarwal 
                and Kasi Viswanath 
                 
               Santosham 
                (review)  
                Cast: Nagarjuna, Gracy Singh, Shriya, Prabhudeva 
                Music: RP Patnaik  
                Producer: KL Narayana 
                Screenplay: Gopi Mohan & Dasaradh 
                Story - Dialogues - Direction: Dasaradh  
                Theatrical Release Date: 9th May 2002 
                 
                Santosham is all about a simple family story, some lilting tunes, 
                beautiful heroines (especially Shirya who has become the latest 
                heartthrob of Andhra) and handsome Nag. Wine gets better as it 
                grows old. The same applies to Nag and his charm. Though Santosham 
                reminds us of a plenty of Hindi and Telugu movies, Dasaradh indeed 
                has done a commendable job in making a simple story click in such 
                a big way. No stiff competition from other movies has also helped 
                Santosham 
                garner huge collections thus making it the biggest grosser among 
                Nagarjuna's films. Nag, Shriya and soulful music (by RP) are the 
                success elements of Santosham. 
                People most benefited by the success of Santosham: Shriya, 
                Dasaradh and Nagarjuna 
                 
               Jayam 
                (review)  
                Cast: Nitin, Sada, Gopichand 
                Music: RP Patnaik 
                Producer - Dialogues - Story - Screenplay - Direction: 
                Teja 
                Theatrical Release date: 14th June 2002 
                 
                Teja is one director who knows the pulse of the youth like the 
                back of his hand. His earlier works in entertaining and educating 
                (?) the youth with Chitram 
                and Nuvvu Nenu 
                have been successful. But his latest movie Jayam 
                inspite of receiving average reviews from the critics is touted 
                to become one of the biggest grossers in the history of Telugu 
                Cinema. Thanks to Teja's 'real' explosive interviews and bold 
                statements about Jayam, people are thronging to the theaters to 
                see what actually made this move a Jayam (success). Beautiful 
                heroine, power packed performance by Gopichand, neatly interleaved 
                songs, good camerawork and above all Teja's imaginative direction 
                contributed to the success of this movie. If Jayam 
                maintains the same tempo in its collections withstanding the tough 
                competition in the coming weeks from Allari 
                Ramudu and Indra 
                then it is poised to become another sensational hit of 2002. 
                Person(s) most benefited by the success of Jayam: Teja. 
                It's too early to talk about Sada and Gopichand, though they were 
                very good in this movie. 
                 
              Hit 
               Lahiri 
                Lahiri Lahirilo (LLL) (review) 
                Cast: Aditya, Ankita, Hari Krishna, Bhanu Priya, Vineeth, 
                Sanghavi, Suman, Rachana 
                Dialogues: Chintapally Ramana  
                Music: MM Keeravani 
                Story - Screenplay - Direction - Production: YVS Chowdary 
                 
                Theatrical Release Date: 1st May 2002 
                 
                YVS Chowdary, though dealt with an age-old story line of drama 
                and revenge in LLL, 
                gave a fresh treatment to this movie. He succeeded in narrating 
                the story in an interesting style by inserting twists at the right 
                moments. Being a multi-starrer like Hanuman 
                Junction, LLL 
                has good music (by Keeravani), ample comedy and enough mass elements 
                that helped this movie become a hit venture. 
                Person(s) most benefited by the success of LLL: YVS Chowdhary 
                and Hari Krishna 
                 
              Some 
                interesting notes about these hit movies - 
              
                - None of 
                  the above movies had extra-ordinary story lines, brilliantly 
                  haunting musical scores, seasoned directors and big stars (except 
                  Nagarjuna in Santosham) 
                  but still they went on to become roaring hits. 
 
                - Four of 
                  the above six movies are directed by debutants - M. Raja, Kasi 
                  Viswanath, VV Vinayak and Dasaradh - while Teja and YVS were 
                  just three films old, as directors, before Jayam 
                  and LLL respectively.
 
                - All the 
                  directors (except M.Raja) came up with their own story for their 
                  movies apart from screenplay and direction.
 
                - RP Patnaik 
                  scored music for three films (NLNL, 
                  Santosham 
                  and Jayam) 
                  while his favorites - Kula Sekhar (lyricist) and Usha (singer) 
                  - worked with him in all the three movies. Mani Sarma and Keeravani 
                  resurrected their positions with Aadi 
                  and LLL respectively.
 
                - If Aadi, 
                  Hanuman 
                  Junction and LLL 
                  were more of mass movies with good fights and revenge dramas 
                  then NLNL and 
                  Santosham were 
                  more of youth, feel-good and family movies. Jayam 
                  has a right dosage of mass, youth and comedy elements. All the 
                  six movies had a good dosage of comedy proving that laughter 
                  indeed is the best medicine and the best bait to attract the 
                  audience. The bottom line is - a well-made movie irrespective 
                  of a 'mass/class' tag with ample and apt comedy would definitely 
                  click.
 
                   
               
              Safe 
                bets 
                 
                While Tarun and Jr. NTR tasted huge successes, Uday Kiran had 
                to settle for an average fare with Kalusukovalani. 
                Though it was written off initially, thanks to Devi Sri Prasad's 
                extra-ordinary music and Pratyusha's 
                untimely death, Kalusukovalani 
                ended up being a profitable venture. Srikanth starrers O 
                Chinnadana and Aaduthu 
                Paaduthu brought smiles on the faces of their distributors 
                mainly due to the presence of good comedy in both the films. T 
                Ravi Babu's Allari 
                and Usha Kiron movies' Manasunte Chalu, made on a shoestring 
                budgets, managed to stand out on their own at the box-office turning 
                out to be safe bets. 
                 
              Bombs 
                 
                Dasari - Mohan Babu's Kondaveeti 
                Simhasanam, Mani Ratnam's dubbed film Amrutha, 
                Tarun's Adrustam 
                and Superstar Krishna's Chandravamsam 
                proved that big star cast, popular directors do not necessarily 
                mean success. In fact these movies turned out to be such damp 
                squibs that they were pulled out of the theaters within a couple 
                weeks of their release. 
                 
              Breezy 
                bloopers 
                 
                Vendi Mabbulu, 
                Manasutho, Raghava, 
                Neeto Cheppalani 
                can be called breezy bloopers because their breeze at the box-office 
                was so swift and effortless that they were pulled out of the theaters 
                faster than the blink of an eye. 
                 
               
                Fast Forward 
                 
                This month witnesses the release of two mammoth projects directed 
                by B. Gopal. The first one is Allari 
                Ramudu starring Jr. NTR, Arti Agarwal, Gajala and Nagma and 
                the second one is Indra starring 
                Megastar Chiranjeevi, Sonali Bendre and Arti Agarwal. In the coming 
                months of the second half of 2002 there are other eagerly awaited 
                ventures like Balakrishna - VV Vinayak's untitled venture, Venkatesh's 
                Gemini, Nagarjuna's Manmadhudu, Mahesh Babu's Baabee 
                and Okkadu, Uday Kiran's Holi, MS Raju - Uday Kiran's 
                Nee Sneham, Tarun - Trivikram's untitled venture, Tarun 
                - AM Ratnam's Nee Manasu Naaku Telusu, Jr NTR - AM Ratnam's 
                Naga, Krishnavamsi's Khadgam, Vamsi's Avunu Valliddaru 
                Istapaddaru, Poori Jagannath's Idiot and above all 
                Megastar's Anji. As Pawan Kalyan's Johnny would 
                release only sometime in the first half of 2003, he will not have 
                any releases in 2002. 
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