1st
May 2003
Open
letter to Johnny's Critics, PK's fans and Jeevi
Johnny
is out, and looks like everyone is talking. Johnny certainly disappointed
the fans and distributors as it lacked all the entertainment components
one expects out of a venture of this magnitude. But I am surprised
by the reviews of the critics who are supposed to look at the movie
from an independent perspective, without any expectations and bias
whatsoever. It seems to me that most of these critics are actually
relishing the disaster.
I
believe Pawan's biggest mistake was choosing a story that is too
serious/sensitive, and provides little scope for any entertainment
value that's expected from a big star's movie. But, I totally disagree
with some of the statements these critics have to say. For example,
Jeevi (www.idlebrain.com) had this to say, "One can watch this
film with an academic interest to study how not to direct a film".
I think this is one of the most ridiculous comments Jeevi had ever
made in his reviews. Jeevi and lot of other people opined that the
movie lacked comedy, songs, dances, and yada yada.
Almost
a year ago I watched the movie 'Lagaan'. Though I thoroughly enjoyed
the movie, there was an unanswered question in my mind that "how
did this movie manage to be a big hit in India?". Knowing the
taste of cine-goers, that sure was a miracle. And, now I draw some
parallels between Lagaan and Johnny. All right, here me out before
you brush this off. Here is my rationale: Both films though illustrate
stories from different time periods; the underlying theme is poverty
(with varying degrees), a cause, a struggle, and the mere resolve
and determination of the hero that saves the day. Both Lagaan and
Johnny are very slow in narration. Even Lagaan didn't have any mass
entertainment values in the movie. Where Lagaan is created with
Cricket as the backdrop, Johnny showcases Martial Arts. And the
similarities end there, Lagaan ended up as a hit, and Johnny is
going down in the history as big flop. Just like Ameer experimented
with Lagaan, Johnny is Pawan's experiment to create a different
film, albeit an unsuccessful one.
Now,
coming to the criticism that Johnny didn't have comedy scenes, and
dances in the second half, come on guys, do you really think that
the guy who insisted in Kushi (the songs in the second half and
the fights in the movie were not part of the original script by
the director) that the songs and fights should be there for the
masses and directed himself and gave the edited copy of those sequences
to the director didn't know that mass elements are necessary in
Johnny. I think the reason Pawan didn't address the comedy, dances
in the second half is that those elements will undermine the theme
and mood of the movie. How can you expect a cancer-stricken patient
dreaming of hip shaking dances? I don't think he neglected those
elements, but decided that they work against the theme. And, in
that sense I commend Pawan that he did total justice to the theme
and story of the movie. One critic said that the roles in the second
half speak Hindi fluently confusing the viewer, hello, it's Mumbai,
what do you expect? - The mafia guy in Mumbai speaking Telugu just
so you understand it?! I also commend Pawan for trying to portray
the movie that's unconventional and sticking to the basic theme,
'a poor guy loves a girl, and tries to save her from illness by
raising money by doing what he knows best - martial arts'.
I
restate what I said all along that Pawan didn't deliver what the
fans and masses expected out of the movie - which is a mass entertainer.
But, if you take yourself out of this notion that 'all Telugu movies
should be like this - comedy, dance and fights', I think this is
a sincere effort by Pawan. I also commend Pawan for accepting the
fate of the movie and returning his remuneration back to the producer.
The sad part is that - none of the critics seem to realize what
he tried to do taking a serious and sensitive issue and coupling
that with some mind boggling martial arts display (that are on par
with any Hollywood flick) in a stylish and unconventional way. Though,
I don't intend to rank Pawan yet among the novel directors like
Varma and Krishnavamsi, we wouldn't have Varma and Krishnavamsi
if it were not for their unconventional way of filmmaking. And,
I can also see how Jeevi would have changed his tune in the review
of Johnny if the movie were well received by masses. He would have
said something like 'Pawan creates a new dimension in Tollywood
going breaking boundaries of the conventional film making' or something
like that.
I
will say this again, Pawan indeed failed in delivering what's expected,
and the fate of the movie clearly indicates that. That doesn't necessarily
correlate to the quality of work put in, or the skill level, or
the product itself. It's a shame to see that the product itself
is getting a beating from all these so-called 'critics'. I sincerely
believe that shot taking in the movie was just awesome, the choreography
of the fights was spellbinding, and some of the comedy scenes (surprisingly
nobody mentioned that so far) like the chase scene that's revealed
back to the villain in the first half was hilarious. The train sequences
in the love track between Pawan and Renu were really cool and funny.
And, I certainly agree that the length of the movie was too much
and testy, it should be reedited, though I don't agree with the
reports of what's been reedited at the theaters.
Well,
what can I say? Critics are cine pundits, and they know it all!
They tell you if a movie succeeds or sucks, and they sure did this
time!
Sincerely
Sreeni
Sreenij23@yahoo.com
Other
Open Letters
->
From Krishna regarding Johnny
-> From Raj regarding Johnny
-> From Balu regarding Johnny
-> From Sreedhar regarding Johnny
-> From Nagender on PK-DC Issue
-> From Ranga on PK-DC Issue
-> From Gowtam to Johnny distributors
-> From Srikanth to Guna Sekhar
-> Responses to openletter
to Chiranjeevi from DPS
-> To Chiranjeevi from DPS
-> To Pawan Kalyan from LP Harsha
-> To RP Patnaik from Raj
-> To film Industry from Naresh
(Jamaica)
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-> From Sharjah NRIs to Teja
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-> To MAA from Soma
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-> To Trivikram Srinivas from Raja
-> To Krishna Vamsi from Hasan
-> To Ravi Teja from Somy Ali
-> Do we know our mother?
-> To Mahesh Babu from Soma
-> To Mahesh Babu from Superstar
Fan
-> To K Raghavendra Rao from Hasan
-> To Chiru fans from Prince
-> Think a while by SMD
-> An open letter to IB DB participants
by Venkat
-> An open letter to IB DB participants
by Kiran
-> An open letter on plight of
Telugu movie lovers in Malaysia
-> An open letter regarding Video
Piracy
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-> From Prince to Nagarjuna fans
-> From Ravi to Sirivennela
-> to editor from Ramana Reddy
-> To Chiranjeevi from Buzz
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-> From Vikram Aditya to Gemini
Kiran and Ramoji Rao
-> Plight of Telugu films by Murthy
-> from a Chiru fan from Bellari to
idlebrain visitors
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