1st 
              May 2003 
                
              
            Open 
              letter to Johnny's Critics, PK's fans and Jeevi 
            Johnny 
              is out, and looks like everyone is talking. Johnny certainly disappointed 
              the fans and distributors as it lacked all the entertainment components 
              one expects out of a venture of this magnitude. But I am surprised 
              by the reviews of the critics who are supposed to look at the movie 
              from an independent perspective, without any expectations and bias 
              whatsoever. It seems to me that most of these critics are actually 
              relishing the disaster.  
            I 
              believe Pawan's biggest mistake was choosing a story that is too 
              serious/sensitive, and provides little scope for any entertainment 
              value that's expected from a big star's movie. But, I totally disagree 
              with some of the statements these critics have to say. For example, 
              Jeevi (www.idlebrain.com) had this to say, "One can watch this 
              film with an academic interest to study how not to direct a film". 
              I think this is one of the most ridiculous comments Jeevi had ever 
              made in his reviews. Jeevi and lot of other people opined that the 
              movie lacked comedy, songs, dances, and yada yada.  
            Almost 
              a year ago I watched the movie 'Lagaan'. Though I thoroughly enjoyed 
              the movie, there was an unanswered question in my mind that "how 
              did this movie manage to be a big hit in India?". Knowing the 
              taste of cine-goers, that sure was a miracle. And, now I draw some 
              parallels between Lagaan and Johnny. All right, here me out before 
              you brush this off. Here is my rationale: Both films though illustrate 
              stories from different time periods; the underlying theme is poverty 
              (with varying degrees), a cause, a struggle, and the mere resolve 
              and determination of the hero that saves the day. Both Lagaan and 
              Johnny are very slow in narration. Even Lagaan didn't have any mass 
              entertainment values in the movie. Where Lagaan is created with 
              Cricket as the backdrop, Johnny showcases Martial Arts. And the 
              similarities end there, Lagaan ended up as a hit, and Johnny is 
              going down in the history as big flop. Just like Ameer experimented 
              with Lagaan, Johnny is Pawan's experiment to create a different 
              film, albeit an unsuccessful one. 
            Now, 
              coming to the criticism that Johnny didn't have comedy scenes, and 
              dances in the second half, come on guys, do you really think that 
              the guy who insisted in Kushi (the songs in the second half and 
              the fights in the movie were not part of the original script by 
              the director) that the songs and fights should be there for the 
              masses and directed himself and gave the edited copy of those sequences 
              to the director didn't know that mass elements are necessary in 
              Johnny. I think the reason Pawan didn't address the comedy, dances 
              in the second half is that those elements will undermine the theme 
              and mood of the movie. How can you expect a cancer-stricken patient 
              dreaming of hip shaking dances? I don't think he neglected those 
              elements, but decided that they work against the theme. And, in 
              that sense I commend Pawan that he did total justice to the theme 
              and story of the movie. One critic said that the roles in the second 
              half speak Hindi fluently confusing the viewer, hello, it's Mumbai, 
              what do you expect? - The mafia guy in Mumbai speaking Telugu just 
              so you understand it?! I also commend Pawan for trying to portray 
              the movie that's unconventional and sticking to the basic theme, 
              'a poor guy loves a girl, and tries to save her from illness by 
              raising money by doing what he knows best - martial arts'.  
            I 
              restate what I said all along that Pawan didn't deliver what the 
              fans and masses expected out of the movie - which is a mass entertainer. 
              But, if you take yourself out of this notion that 'all Telugu movies 
              should be like this - comedy, dance and fights', I think this is 
              a sincere effort by Pawan. I also commend Pawan for accepting the 
              fate of the movie and returning his remuneration back to the producer. 
              The sad part is that - none of the critics seem to realize what 
              he tried to do taking a serious and sensitive issue and coupling 
              that with some mind boggling martial arts display (that are on par 
              with any Hollywood flick) in a stylish and unconventional way. Though, 
              I don't intend to rank Pawan yet among the novel directors like 
              Varma and Krishnavamsi, we wouldn't have Varma and Krishnavamsi 
              if it were not for their unconventional way of filmmaking. And, 
              I can also see how Jeevi would have changed his tune in the review 
              of Johnny if the movie were well received by masses. He would have 
              said something like 'Pawan creates a new dimension in Tollywood 
              going breaking boundaries of the conventional film making' or something 
              like that.  
            I 
              will say this again, Pawan indeed failed in delivering what's expected, 
              and the fate of the movie clearly indicates that. That doesn't necessarily 
              correlate to the quality of work put in, or the skill level, or 
              the product itself. It's a shame to see that the product itself 
              is getting a beating from all these so-called 'critics'. I sincerely 
              believe that shot taking in the movie was just awesome, the choreography 
              of the fights was spellbinding, and some of the comedy scenes (surprisingly 
              nobody mentioned that so far) like the chase scene that's revealed 
              back to the villain in the first half was hilarious. The train sequences 
              in the love track between Pawan and Renu were really cool and funny. 
              And, I certainly agree that the length of the movie was too much 
              and testy, it should be reedited, though I don't agree with the 
              reports of what's been reedited at the theaters. 
            Well, 
              what can I say? Critics are cine pundits, and they know it all! 
              They tell you if a movie succeeds or sucks, and they sure did this 
              time! 
            Sincerely 
              Sreeni 
              Sreenij23@yahoo.com 
            Other 
              Open Letters 
            -> 
              From Krishna regarding Johnny 
              -> From Raj regarding Johnny 
              -> From Balu regarding Johnny 
              -> From Sreedhar regarding Johnny 
              -> From Nagender on PK-DC Issue 
              -> From Ranga on PK-DC Issue 
              -> From Gowtam to Johnny distributors 
              -> From Srikanth to Guna Sekhar 
              -> Responses to openletter 
              to Chiranjeevi from DPS 
              -> To Chiranjeevi from DPS 
              -> To Pawan Kalyan from LP Harsha 
              -> To RP Patnaik from Raj 
              -> To film Industry from Naresh 
              (Jamaica) 
              -> From Vijay to Krishna Vamsi 
              -> From Sharjah NRIs to Teja 
              -> From Rani to Venkatesh 
              -> From Harish to Devi Sri Prasad 
              -> From JKV Sharma to Mani Sharma 
              -> From Malladi to Guna Sekhar 
              -> From Satish to Allu Arjun 
              -> From Jhansi to Chiranjeevi 
              -> From Ravindranath to Okkadu team 
              -> VJ to Okkadu team 
              -> From Hemanth to Jr. NTR 
              -> From Rajesh to Guna Sekhar 
              -> From Srinivas to Bala Krishna 
              -> From Shrinivas to K Vijaya Bhaskar 
              -> From VJ to Krishna Vamsi 
              -> From Kiran to Khaled 
              -> From Khaled to Phani 
              -> From Sankar to Nagarjuna 
              -> Chakri Response to Anil 
              -> Phani response to Anil 
              -> From a fan to Nagarjuna 
              -> From Anil to Indian 
              -> From Gowtam to Aswini Dutt 
              -> To MAA from Soma 
              -> To Venky from Shailaja 
              -> To Trivikram Srinivas from Raja 
              -> To Krishna Vamsi from Hasan 
              -> To Ravi Teja from Somy Ali 
              -> Do we know our mother? 
              -> To Mahesh Babu from Soma 
              -> To Mahesh Babu from Superstar 
              Fan 
              -> To K Raghavendra Rao from Hasan 
              -> To Chiru fans from Prince 
              -> Think a while by SMD 
              -> An open letter to IB DB participants 
              by Venkat 
              -> An open letter to IB DB participants 
              by Kiran 
              -> An open letter on plight of 
              Telugu movie lovers in Malaysia 
              -> An open letter regarding Video 
              Piracy 
              -> From Anupama to Pawan Kalyan 
              -> From Prince to Nagarjuna fans 
              -> From Ravi to Sirivennela 
              -> to editor from Ramana Reddy 
              -> To Chiranjeevi from Buzz 
              -> To Teja from Kumar Kuppam 
              -> From Vikram Aditya to Gemini 
              Kiran and Ramoji Rao 
              -> Plight of Telugu films by Murthy 
              -> from a Chiru fan from Bellari to 
              idlebrain visitors 
              -> to Allu Arvind from Aditya 
              -> To Nagarjuna from Krishna 
              -> To Teja from a Telugu fan 
              -> To Chiranjeevi from a fan 
              -> From Raja to Teja 
              -> From Anupama Prasad to Indra Unit 
              -> From Prakash to idlebrain.com 
              visitors 
              -> From Venu to Bala Krishna 
              -> From Rajesh Sonti to Late 
              Rao Gopal Rao 
              -> From Venkat to Usha 
              -> From Srinivas to EVV Satya Narayana 
              -> From Balaji to Pawan Kalyan 
              -> From Naga Kalyan to Pawan Kalyan 
              -> From Pavan Karthik to Ram Gopal 
              Varma 
              -> From Pradeep to Teja 
              -> From Hrudaya to Pawan Kalyan 
              -> From BKR to Chiranjeevi 
              -> From Amit Patel to Chiranjeevi 
              -> From Anupama Prasad to Chiranjeevi 
              -> Nagarjuna meets idlebrain 
              openletter writer Raju 
              -> From Ajay Kumar Reddy to Chiranjeevi 
              -> From Chandrika to idlebrain community 
              -> From Raju to Nagarjuna 
              -> From Bharat to Chiranjeevi 
              -> From Srinivas Josyula to Chiranjeevi 
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