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                   Open 
                    letter to Vamsy 
                  I 
                    remember I always used to have a special regard for Vamsy 
                    movies whether it be Sitara 
                    where the river Godavari had a special mention in the song 
                    vennello godari andam or it be Preminchi 
                    Pelladu where the nativity reflects, but when I 
                    saw Donga Ramudu & Party 
                    I sat down and gave a second thought if it was the same director 
                    who used to carry the percipience of any subject with a conciliate 
                    flair yet maintaining the standards what the rest of his movies 
                    were. Yes, I was disappointed.  
                  It's 
                    a human tendency to sketch any song which you hear first before 
                    you see the video, and the audio was bewildering just the 
                    way Sreya 
                    Sunil wrote in the audio review, but the true disappointment 
                    comes when you see the video of the songs. Well undeniably, 
                    I donot question the locales of the songs but I question the 
                    trend of this famous director who always used to remind us 
                    the true nativity of where we belong and come from.  
                  I 
                    know that the very trend of the society is changing and people 
                    want change, but the true contentment comes when you see yourself 
                    in the shoes of the leading actor or actress. Take for instance 
                     Kanakamahalakshmi recording dance 
                    troupe where the characters best fit your imagination 
                    and of course Sitara where 
                    Bhanupriya tries hard to maintain the secrecy of her true 
                    identity. With a setback coming in the form of W/O 
                    V. Varaprasad, Avunu Vallu 
                    Iddaru Istapaddaru came as a breather but still 
                    missed the very nativity, the reason it was fully shot in 
                    one of the studios in Hyderabad. Again take for instance April 
                    1 vidudhala or Ladies 
                    Tailor (and I donot belong to any political organization 
                    while I repeat nativity often) where you have the rural ambience 
                    and you would truly relish them. A director becomes solitary 
                    when he/she tries something different from rest of the mob, 
                    meaning of the rest of the directors are canning their shots/songs 
                    in foreign locales you could say here is one who dares trying 
                    something different and I am sure people wouldn't get offended 
                    when they see their villages on the big screen. So what makes 
                    him think that these foreign locale songs would be good bet 
                    for the audience? Well this question being still left unanswered 
                    one thing is for sure we expect something more and something 
                    different from him making him once again the most relished 
                    director we once had.  
                  Mahesh 
                    A. Adibhatla 
                    MAdibhat@ci.tacoma.wa.us 
                     
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